“You can only carry the belief of anti-war, once you’ve taken yourself out of the lenses of your own beliefs. And you can’t make history without knowing it”
For F/W ‘26, KOMOjI re-evaluates the balance of creation and destruction. It clashes the symbols of terror from Godzilla and the hope of innovation from mecha anime through vintage utility wear and Japanese inspired construction.
Below is my process for this vision.
Design Research
SOSHIOTSUKI '26 Jacket Study
Proportion Sketch on Croqui w/ Ottolinger Jacket
COS '26 Jacket Study
Proportion Sketch on Croqui w/ Balmain Sweater
MIU MIU '26 Jacket Study
Proportion Sketch on Croqui w/ Normondo Jacket
CDG HOMME Plus '26 Jacket Study
Notes from EVA 02 Suit (Neon Genesis Evangelion, 1995)
Notes from Valkyrie II Suit (Robotech, 1985)
Notes from Heero's Jacket (Gundam Wing, 1995)
Notes from Evangelion Inspired Jacket
SOSHIOTSUKI '26 Button Up Study
Notes from Patlabor Characters (Patlabor, 1989)
Notes from Kaneda's Jacket (AKIRA, 1988)
COS '26 Jacket and Layering Study
*Croquis generated by Google Gemini for project requirements
Draping Research
Croqui Sketches
Marketing
Model
Dallas Dodge
Photographer
Gianella Martell
Shoot
KOMOjI_Vol.1
Year
F/W ‘26
Location
Tokyo
Co-Director, Asst. Stylist
Maria Korovilas
Creative Director, Stylist, Photo Ed.
Javen Barnes
Client
SCAD FASH110